In the restless of summer of 2012, I was in a fight with London. My family, my roots, my everything was there, but a new day had dawned in my brain rendering it all nonsensical and claustrophobic. I felt like I was haunting the city I’d grown up in. Meanwhile, people kept intoning: “When a man is tired of London, he is tired of life.”
Anne Carson once wrote that in order to survive, you needed an edge; in this age, I suspect that a blade might be better. Reading the year’s new clatch of stories about the “real” Gone Girl ... I found myself wishing that men who turned out to be killers and mass manipulators were rare enough that a story about the “real” Gone Guy would catch on.
I have this fantasy for the future. It involves moving far, far away from the city, dropping my job as a writer and ditching my musical career. I keep my husband though... My fantasy for a rural, simple future is considered grossly basic in my peer group, because educated, feminist women like myself are supposed to want more. Isn’t that what the generations of women before us fought for?
Not long before leaving, she’d begun forgetting the words that produced her life. Simple words like saucepan, obelisk, masquerade and most recently, cufflinks, which she’d called wrist links, her mind toddler-fumbling with the picture-sounds till her husband corrected her with an unconcerned look on his face. And he wasn’t concerned.
I got my first tattoo the weekend before my 22nd birthday. I decided – while sitting on the floor of a bathroom stall that I should’ve been cleaning, at the job I worked full-time when I wasn’t in school – on the word “bluets”. Or the title of Maggie Nelson’s lyrical talisman of a book. It was only later that I found out about its cult-object status.