My matchmaker is a man. A man in a crisp, white shirt and trousers. ‘Shouldn’t you be an old lady?’ I ask. He bridles. ‘That’s kind of a cliché.’ I’m two weeks into my first trip to China. As a kid living in pre-Handover Hong Kong, China was a terrifying, monolithic presence. Now, it is a place I long to understand.
The devil was already inside Amenze when she walked past Goodies on Awolowo Road. At first, it was squatting inside her small stomach, leaning against the walls and eating ground up groundnut from the day before. Then she felt it becoming a fuller presence from her waist, expanding through the width of her chest.
Edouard Glissant opens Poetics of Relation in the belly of the boat. In its horrors. ‘For the Africans who lived through the experience of deportation to the Americas,’ he begins, ‘confronting the unknown with neither preparation nor challenge was no doubt petrifying.’
The taking of the birds was something that none of us had seen coming. As far as political allegiance went, there was a time when it would hardly have occurred to us to wonder which side the birds were on, but if it had, or if we had been asked, the answer would have been obvious. What did we know in those days?
A person writes, “I’d be curious to see you discuss sex lives that can feel non-existent … how to feel comfortable with your sexuality when you’ve not been intimate with someone for well over a few years.” This month’s column is named after a poem by my friend Amy Key, Lousy with unfuckedness, I dream.