The night Lou Reed died, I was at a sex party in a Manhattan loft. As erections brayed like seals around a circular bed where two women slid and licked across each other, 69 kilometres away in his Long Island home, the guy who wrote Femme Fatale and All Tomorrow’s Parties had just lost his battle with liver disease at the age of 71.
Turning oneself into a financial asset through the transformative power of a screen is little more than a simulacrum of past modes of accruing status; and yet increasingly, this is the sole method of operating within the modern media.
While some cities do better jobs than others of encouraging that salad to be fully mixed, in many cities we see fragmented communities segregated down lines of culture and interest, operating alone in the same space.
We’re in a labyrinth of ladders, arcing and curling around one another, following others’ routes, occasionally being given a hand over treacherous rungs. Some ladders lead to dead ends, others to platforms from where we can shout down encouragement, or ignore all beneath.
In the video for her song Criminal, I watch Fiona Apple’s body and wait for it to tell me how I should feel about her, or towards her, and in this video, the messages are mixed. Her body says that something is wrong, but what she sings is more complicated and as the way she is filmed renders her as a thing, I come back to thinking that her body, in its communicating that something is wrong, is where the attraction lies.
The Oilfield Allegorist: Dorothy Ellis — Drill Daddy Drill (1952) Thirty-six years before Dallas brought us the oil-centric Ewing family, there was Drill Daddy Drill, an ode to oil extraction that’s really an ode to sex, and is also not to be confused with the (Republican, therefore deeply unsexy) slogan Drill Baby Drill!
No piece of famous-girl gossip has ever surprised me less than learning that the night before her Vegas wedding to Jason Alexander, Britney Spears watched The Texas Chainsaw Massacre.
The Galactic Expressway Resort had been in development for just short of a decade when they celebrated their soft launch "Leave to Remain" on that fateful Friday of June 24th, 2016. The intention had been to establish a viable competitor for Dick Pickle’s Coitus Galactic, a flight service offering unencumbered views of our Earth to its ordinary citizens.
Everybody does it. Watch from the bottom of the escalator at Naples’ Toledo metro station and you see heads stop turning from side to side like loose bottle caps and pivot upwards. They’re looking at a portal into another dimension, or more precisely, station architect Oscar Tusquets Blanca’s perfect cone-shaped tunnel cut deep into the ceiling ...
The train was to leave Berlin appallingly early. Having confused the German words for Saturday and Sunday in sleepy delirium, I missed the bus to the station. Sitting against a wall on the deserted street corner, my skin blooming with hives, I breathed deeply, clutching the fingers of my left hand in time with each round.