Brexit happened". A text from Ulijona via iMessage. "I hope you changed your pounds to dollars early". I didn't. I’d hoped I wouldn’t have to. I’d hoped it was a bad dream. “omg”, is all I can reply.
In the video for her song Criminal, I watch Fiona Apple’s body and wait for it to tell me how I should feel about her, or towards her, and in this video, the messages are mixed.
I cast around for literature, words to find myself – ourselves – in. I need to get my head around the weirdness of sharing my body with another and my changing sense of self. Pregnancy books discuss the physical changes, but fall silent on the mental and emotional experience of becoming an ‘us’, no longer a ‘me’.
In this age of paradox around disability, how do disabled people juggle their internal desires for love, affection and yes, even sex, with external perceptions of desirability that actively ignore their existence and have remained unchanged for decades?
The Oilfield Allegorist: Dorothy Ellis — Drill Daddy Drill (1952) Thirty-six years before Dallas brought us the oil-centric Ewing family, there was Drill Daddy Drill, an ode to oil extraction that’s really an ode to sex, and is also not to be confused with the (Republican, therefore deeply unsexy) slogan Drill Baby Drill!
In the spring of 1980, when I was three years old, my father took me to my first Cubs game at Wrigley Field. Our family would be moving to Canada later that year, and my dad wanted my first baseball game to be a Cubs game in Chicago at Wrigley, not a Blue Jays game in Toronto at Exhibition Stadium.
No piece of famous-girl gossip has ever surprised me less than learning that the night before her Vegas wedding to Jason Alexander, Britney Spears watched The Texas Chainsaw Massacre.
In the restless of summer of 2012, I was in a fight with London. My family, my roots, my everything was there, but a new day had dawned in my brain rendering it all nonsensical and claustrophobic. I felt like I was haunting the city I’d grown up in. Meanwhile, people kept intoning: “When a man is tired of London, he is tired of life.”
I got my first tattoo the weekend before my 22nd birthday. I decided – while sitting on the floor of a bathroom stall that I should’ve been cleaning, at the job I worked full-time when I wasn’t in school – on the word “bluets”. Or the title of Maggie Nelson’s lyrical talisman of a book. It was only later that I found out about its cult-object status.
Everybody does it. Watch from the bottom of the escalator at Naples’ Toledo metro station and you see heads stop turning from side to side like loose bottle caps and pivot upwards. They’re looking at a portal into another dimension, or more precisely, station architect Oscar Tusquets Blanca’s perfect cone-shaped tunnel cut deep into the ceiling ...