It is so hot in my apartment that I soak my t-shirts in cold water and wear them dripping. I make small puddles on the floor, but everything evaporates quickly. I like it when the dust from the gutters gets ground into my bed sheets at night, and my days seep yellow into the mattress. It is evidence that I am living some kind of life.
They contained us, we, I, in their bellies, blood, and water; constrained us tight as seeds in the cells and in the breath. Before the splitting, the infinite doubling, and now I hold them all, a rabble of ancestors, pressing up from inside against my skin, and too, I contain the next generation, if I wish.
Ever since I found the group’s ASMR YouTube channel in 2013, I had felt I should be one of them. I wanted to know what they looked like. I wanted to have it confirmed that they were just like me, and normal.
Do you know there are stories you can tell without making anybody angry? And most of the bones in your body will never need setting. Almost all of them will be okay.
I am looking at the chickens. The darkness contains a reclaimed allotment, some artsy plant boxes, and a chicken coop. If I am looking at the reclaimed allotment where the chickens live then I am not on Somerville Avenue and I am not going to go past Market Basket. I took the wrong road. Again.
So, there we were, tearing round bends, wind clawing at our hair, shrieking like cats in heat, and after each turn we’d look at each other and laugh, like – that was a good one, right? Only then, after one of those turns, somebody’s gone. Just, gone.
I spend my days on the roof of this fort. Looking for you. It’s how I fill time, in a sagging beach chair so low my backside rubs coarse ground. I did think of leaving, in our boat that I would fix. But I can’t ditch these forts – these stilts – that stand proud in the mist. Jagged metal and bird-waste stain. Weird, like a distant planet. Scarred by wear and wave.
As 1951 surrenders to the first breath of 1952, Albert Burton sits hunched at his kitchen table, spelling truths for his wife with a near-invisible hand. How he is able to grip the pen, to touch it to the paper, he does not understand ... Because Albert has been dead for exactly seven days.
We’re in a labyrinth of ladders, arcing and curling around one another, following others’ routes, occasionally being given a hand over treacherous rungs. Some ladders lead to dead ends, others to platforms from where we can shout down encouragement, or ignore all beneath.