The night Lou Reed died, I was at a sex party in a Manhattan loft. As erections brayed like seals around a circular bed where two women slid and licked across each other, 69 kilometres away in his Long Island home, the guy who wrote Femme Fatale and All Tomorrow’s Parties had just lost his battle with liver disease at the age of 71.
Piano notes floated like velvet cloth across the clearing, harmonies trailing in the wind, before receding into the darkness of the jungle. Only once had I caught a glimpse of her, flowing hair masking her face, as she merged into the valley.
I wake up, uncertain how many people are asleep around me. Sometimes it’s just Jacques, at other times indeterminate snores ping pong over the fold-down sofa, into the shower unit and across the kitchenette. I slip into my trunks, part the patterned curtains and fall into the pool. At first, we all went over-ripe, our skin blistering tomato red.
At first, after I slipped them out of their kidney-shaped chemical bag and slid my lube-covered legs in, they fitted like normal jeans. All those five-star ratings, all those celebrity endorsements, totally vanilla people openly sharing orgasms on a global scale – all through the magic of Intwine.