I won’t be replying to a series of individual questions in this column, rather writing about themes that I see recurring—the most common being straight men asking how to 'fuck good'. And I'm never going to deal with that. It has been dealt with. Please leave me alone.
We buy the dog, the puppy, whose name in this story is Maggie, though really it is Sylvie. We might have considered calling the dog (as opposed to the fiction) Maggie, but some friends called their baby Maggie, removing it from our list of possibilities.
They met without ‘preconceived ideas’ about their world. They meant the world they would make for one another. When apart, they were often ‘in pain’. This was their truest ‘commonality’. They used such words. The source of pain mattered little.
He stands in front of the mirror, both hands clutching the side of the sink, nose grazing the toothpaste-splattered mirror. He ignores the razors and multiple bottles of aftershave crammed on the ledge. He ignores the soggy mat beneath his feet. He looks deep into his dark brown eyes and reaffirms his right to get the things he wants in life.
I learned about the wall the same way everyone learned about the wall; it was just there. The sun is warm, the lavender smells like lavender. When the traffic lights turn green, that means ‘go’. The wall was built to protect us from the people on the other side, and if you get too close the soldiers start shooting.
I’m not sure I agree with Didion’s claim that Vegas is ‘the most extreme and allegorical of American settlements,’ mainly because I believe this is actually truer of Florida, Florida being a place where one can buy a local paper whose cover describes a cannibal murder (‘CAUSEWAY CANNIBAL HAD BIBLE WHEN HE ATTACKED’), but also the place they built Disneyland.
On the streets of Koreatown, a woman was howling in Spanish for her missing dog, which had one ear yellow and one mauve: a locally famous dog, Casper recognised it from the billboard for the grooming shop next to the weed dispensary on Olympic-Vermont. Huge purple flowers drifted over the sidewalks.
Edouard Glissant opens Poetics of Relation in the belly of the boat. In its horrors. ‘For the Africans who lived through the experience of deportation to the Americas,’ he begins, ‘confronting the unknown with neither preparation nor challenge was no doubt petrifying.’
Nevin Trebec awoke on his futon wearing snow pants and a parka. Underneath the snow pants and parka, he was naked. It was the first day of June. ‘What the hell happened?’ he said, as he sat up.
The most significant long-term affairs in my life have been with cities. Growing up, we are taught, through fairytales and romantic narratives, that life’s for sharing with someone else, but in 2017, society is in flux.