Every morning, as my ancient machine grunted into action, my reaction to that hourglass was the same: with each of its rotations, a sense of unease ratcheted up a notch or bloomed new petals or did whatever anxiety does with its horrible metaphors. The pinch-waisted graphic popped up in the centre of my desktop, cartwheeling, and with it, that same sick feeling.
On 24 February 2017, Lana Del Rey announced that she had plans to cast a hex on Donald Trump: 'ingredients can b found online,' she wrote on Twitter. And they can, as posted by a member of an online witch community dedicated to casting a monthly hex on the president to correspond with the waning crescent moon.
I’m not sure I agree with Didion’s claim that Vegas is ‘the most extreme and allegorical of American settlements,’ mainly because I believe this is actually truer of Florida, Florida being a place where one can buy a local paper whose cover describes a cannibal murder (‘CAUSEWAY CANNIBAL HAD BIBLE WHEN HE ATTACKED’), but also the place they built Disneyland.
Edouard Glissant opens Poetics of Relation in the belly of the boat. In its horrors. ‘For the Africans who lived through the experience of deportation to the Americas,’ he begins, ‘confronting the unknown with neither preparation nor challenge was no doubt petrifying.’
What is odd about the Kardashian lifestyle is exactly, notwithstanding the money, how not odd it is. A lot of this show involves them fighting in restaurants; much is about whether mothers have actual favorite children — the difference being that here, the answer is: “yes, but for fiscal reasons.”
Ever since I found the group’s ASMR YouTube channel in 2013, I had felt I should be one of them. I wanted to know what they looked like. I wanted to have it confirmed that they were just like me, and normal.
We’re in a labyrinth of ladders, arcing and curling around one another, following others’ routes, occasionally being given a hand over treacherous rungs. Some ladders lead to dead ends, others to platforms from where we can shout down encouragement, or ignore all beneath.
In the video for her song Criminal, I watch Fiona Apple’s body and wait for it to tell me how I should feel about her, or towards her, and in this video, the messages are mixed.
The Oilfield Allegorist: Dorothy Ellis — Drill Daddy Drill (1952) Thirty-six years before Dallas brought us the oil-centric Ewing family, there was Drill Daddy Drill, an ode to oil extraction that’s really an ode to sex, and is also not to be confused with the (Republican, therefore deeply unsexy) slogan Drill Baby Drill!